Vinai Trinateepakdee Move The Sky Tab Direct

Eb|------------------------------15b17r15----13----| Bb|-------------------13----15----------------15---| Gb|------------12h14----14-------------------------| Db|-----12h14--------------------------------------| Ab|--15--------------------------------------------| Eb|------------------------------------------------| The bend on the 15th fret (Eb string) is a full step (two frets). Release it slowly back to 15 before descending. This creates the “crying” quality. Section 5: The Climax Tapping Section Vinai uses two-handed tapping not as a gimmick, but as a melodic extension. This lick ascends two octaves.

If you have been surfing the waves of Thai rock and instrumental guitar music, you have likely encountered the name Vinai Trinateepakdee . Known for his blistering technique, emotional phrasing, and fusion of neoclassical rock with Thai melodic sensibilities, Vinai has cemented himself as a Southeast Asian guitar hero. Among his most requested and technically demanding pieces is the instrumental powerhouse, “Move the Sky.” vinai trinateepakdee move the sky tab

Eb|--------------------------------| Bb|--------------------------------| Gb|----------------5-7-8-7-5-------| Db|----------5-7-8-----------8-7-5-| Ab|---5-7-8------------------------| Eb|--------------------------------| Down-up-down-up on each triplet group. Start slow at 80 BPM, then build to the song’s tempo of 120 BPM. Section 3: The String-Skipping Lick (Pre-Chorus) This is the passage that makes guitarists search for the “Vinai Trinateepakdee Move the Sky tab” more than any other. Vinai leaps from the low string to the high string in a single fluid motion. Section 5: The Climax Tapping Section Vinai uses

Eb|--------7-------10-------12----| Bb|-----8-------11-------13-------| Gb|--9-------12-------14----------| Db|-------------------------------| Ab|-------------------------------| Eb|-------------------------------| Use hybrid picking (pick + middle/ring fingers) to keep each note ringing. Let the notes overlap slightly for a piano-like effect. Section 2: The Main Riff (Distortion) When the distortion kicks in, Vinai introduces the central rhythmic motif. This riff is based on a descending Phrygian dominant pattern (E minor with a raised 7th). Known for his blistering technique, emotional phrasing, and