Furthermore, the success of the album created a "template trap." In the years following Supernatural , Santana released Shaman (2002) and All That I Am (2005), which tried to replicate the formula with diminishing returns (e.g., Michelle Branch, Steven Tyler, and Chad Kroeger).
Perhaps the darkest track on the album. Everlast (of House of Pain fame) delivers a gothic, bluesy warning about demons and salvation. The call-and-response between Everlast’s gruff voice and Santana’s weeping guitar is haunting. It won a Grammy for Best Pop Collaboration with Vocals. santana supernatural album
Carlos Santana was initially hesitant. He was proud of his band and wary of becoming a hired gun on his own album. However, Davis introduced him to a young, hungry producer named Matt Serletic (known for his work with Matchbox Twenty). Serletic brought a blueprint: match Santana’s soaring, melodic leads with contemporary Latin pop, rock, and R&B. Furthermore, the success of the album created a
It reigned on the Billboard 200 chart for 12 non-consecutive weeks and stayed on the chart for over two years. In the era of *NSYNC and Backstreet Boys, a 52-year-old Mexican-American guitarist dominated the global charts. That is unprecedented. No album this successful escapes critique. Some die-hard Santana purists argued that Supernatural was not a "real" Santana album. They claimed it was a Clive Davis marketing product—too slick, too polished, too reliant on guest stars. In their eyes, Supernatural lacked the psychedelic jamming of Abraxas or the spiritual jazz of Caravanserai . He was proud of his band and wary
Then came Supernatural . Released on June 15, 1999, the album didn't just reverse Santana’s commercial decline; it detonated the music industry, becoming one of the best-selling albums of all time. This article dives deep into the making, the magic, and the lasting legacy of the Santana Supernatural album . The genesis of Supernatural lies with Clive Davis, the legendary record executive who had signed Santana to Arista in the 1980s. Davis believed that Carlos’s guitar playing was a universal language that needed modern translators. The strategy was radical: stop trying to make a "Santana band" record. Instead, treat Carlos as a featured virtuoso, pairing him with the hottest producers and singers of the late 90s.