Cheech And Chong You Got Ripped Off Album 99%
Released in 1981 at the height of the duo’s fame, the You Got Ripped Off album was not a traditional comedy album. It wasn’t a live recording, nor a collection of new studio sketches. Instead, it was a contractual obligation record—a legal loophole album that infuriated the duo but fascinated fans. Today, it remains a bizarre relic of the music industry’s golden age of exploitation. Let’s dive into the smoke-filled history of this forgotten gem. To understand the Cheech and Chong You Got Ripped Off album , you need to understand the duo’s relationship with Warner Bros. Records in the late 1970s. By 1980, Cheech and Chong were superstars. They had released six successful studio albums, starred in two hit movies ( Up in Smoke and Cheech & Chong's Next Movie ), and were working on their third film, Nice Dreams .
However, their contract with Warner Bros. was coming to an end, and they owed the label one more album. The problem? They had no new material. They were creatively burnt out, focused on film, and unhappy with their compensation. Instead of rushing a half-baked album of new sketches, the duo’s management and Warner Bros. lawyers found a loophole: they could fulfill the contract by releasing a compilation of unreleased outtakes, alternate takes, and live recordings. cheech and chong you got ripped off album
For true fans, owning this album isn’t about the music. It’s about owning a piece of comedy history—a reminder that even legends like Cheech and Chong got screwed by the system. And sometimes, the only way to fight back is with a bad album and an honest title. Released in 1981 at the height of the
This accidental scarcity turned the into a collector’s holy grail. Original vinyl pressings in good condition routinely sell for $150–$300 on eBay and Discogs. A sealed copy? Some have fetched over $600. Is It Worth Listening To? If you’re a completionist or a stoner comedy historian, yes. But go in with low expectations. The album is funny for about ten minutes—mainly the parts where Cheech and Chong break character and complain about the record industry. The rest is filler, flubbed lines, and sound effects that go nowhere. Today, it remains a bizarre relic of the