Yet, despite the critical snubs, the album was a commercial success. It debuted at #6 on the Billboard 200 and #2 on the Top R&B/Hip-Hop Albums chart, eventually going Platinum. Why? Because the fans didn't care about the politics. They wanted to hear Tupac’s voice. They wanted the catharsis. Still I Rise is ultimately the Outlawz’s finest hour—and their curse. They proved they could rap. Young Noble’s frantic energy, E.D.I. Mean’s poignant clarity, and Hussein Fatal’s menacing delivery (Fatal actually left the group before the album’s release due to contract disputes, but still features heavily) are all on display.
Critics argued that the Outlawz (except for the late Yaki Kadafi) weren’t strong enough to carry a full project. More damning was the accusation that Afeni Shakur and Death Row Records (who still controlled much of the material) were "feeding Pac’s corpse to the fans." There was also controversy regarding the remixing—some verses were taken from original songs and placed onto entirely new, unrelated beats. 2pac and outlawz still i rise album
This opening track sets the tone perfectly. Over a haunting, soulful beat (produced by Trackmasters), 2Pac addresses a child he will never meet. It is introspective, vulnerable, and prophetic. He raps about the traps of the ghetto, the bloodshed of his generation, and his desperate hope for a better future. The Outlawz interject with harmonies and ad-libs, transforming a solo rumination into a communal prayer. It remains the album’s most beautiful moment. Yet, despite the critical snubs, the album was
Directly referencing one of Pac’s biggest solo hits, this track is a direct sequel. Featuring a sample of Sting’s "Shape of My Heart" (famously used by Nas for "The Message"), the song is a tender letter to struggling women and single mothers. It softens the album’s hard edges and reminds you that Tupac was, above all, a mama’s boy and a feminist in a thug’s armor. Because the fans didn't care about the politics
The Outlawz (originally known as the Outlaw Immortalz) were in a difficult position. Formed in 1995 after Tupac’s release from prison, the group—including Hussein Fatal, E.D.I. Mean, Young Noble, Napoleon, Kastro, Yaki Kadafi (who also died in 1996), and later Storm—had been 2Pac’s soldiers. They were the battalion that chanted “Thug Life” as a philosophy, not just a slogan. But without Pac, they risked becoming relics.